Encounters with Godard PDF
By:James S. Williams
Published on 2016-05-09 by SUNY Press
\u003ci\u003eA wide-ranging and accessible approach to Godard’s later work, and a major intervention in the study of film aesthetics and ethics.\u003c/i\u003e\u003cbr\u003e\u003cbr\u003e \u003ci\u003eEncounters with Godard\u003c/i\u003e takes the reader on a personal voyage into the sensory pleasures and polyphonic rhythms of Jean-Luc Godard’s multimedia work since the late 1970s, from his feature films and video essays to his published writings, art books, and media performances. Godard, suggests James S. Williams, lays ethical claim to the cinematic, defined in the broadest terms as relationality and artistic resistance. An introductory chapter on the extended history of \u003ci\u003eLa Chinoise\u003c/i\u003e (1967), a film explicitly of montage, is followed by seven different types of critical encounters with Godard, encompassing the fields of art and photography, music and literature, and foregrounding themes of gender and sexuality, race and violence, mystery and emotion. The Godard who emerges here is a restless and radical experimenter who establishes new cinematic thresholds through new technology and expands the creative potential and free exchange of the archives. Williams examines works including \u003ci\u003eNouvelle vague\u003c/i\u003e (1990), \u003ci\u003eFilm socialisme\u003c/i\u003e (2010), \u003ci\u003eHélas pour moi\u003c/i\u003e (1993), and the magnum opus \u003ci\u003eHistoire(s) du cinéma\u003c/i\u003e (1988–98). Wide-ranging and accessible, \u003ci\u003eEncounters with Godard\u003c/i\u003e marks a major intervention in the study of film aesthetics and ethics while forging a vital dialogue with literature, history and politics, art and art history, music and musicology, philosophy, and aesthetics.\u003cbr\u003e\u003cbr\u003e “A landmark contribution to our understanding of Godard and of modernist expression as a whole.” — David Sterritt, author of \u003ci\u003eThe Films of Jean-Luc Godard: Seeing the Invisible\u003c/i\u003e\u003cbr\u003e\u003cbr\u003e “Writing with a delirious lucidity, Williams opens Godard to debate and dialogue that informs, extends, opens, and illuminates what may be the greatest and most complex body of cinema of the last half-century.” — Tom Conley, author of \u003ci\u003eFilm Hieroglyphs: Ruptures in Classical Cinema\u003c/i\u003e
This Book was ranked at 29 by Google Books for keyword Other Media Erotic Arts Photography.
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Book which was published by SUNY Press since 2016-05-09 have ISBNs, ISBN 13 Code is 9781438460642 and ISBN 10 Code is 1438460643
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